With over 60 years of history, the composer and arranging of Iranian pieces for the preservation and distribution of music, especially Iranian music, have been instrumental in making an effective effort, and since 1370 they have been able to make piano making, and by establishing a jar bunch of children's hearts Linked to music. Barm Jam Jam, under the direction of Mr. Mohammad Stegihenchi, the official Yamaha piano representation since 1992, and the exclusive representation of the Pearl River Piano, is proud to present the best pianos to students and music lovers with easy and easy conditions.

Biography of the Great Lashgiri Master

I was born in Tehran in the year 1302 in a family that was all familiar with music and after graduating from primary school I started studying music from fifteen years old, encouraging my mother to study music, and some time Then I started the fiddle with the following professors: Hasan Bahari, Asghar Bahari, who was my uncle and my cousin. After two years I went to Abolhassan Khan Saba's class. I also greeted the professors such as Hussein or Haghi, Ibrahim Mansouri, Mehdi Khalidi Vrobik Grigorian, and I also used the gifts of Rouhollah Khaleqi and Melik Ebrahimiyan to raise my level of knowledge and awareness in music. In the year 1323, I went to orchestra at the invitation of Morteza Khan Mahjoubi and spent two years in the orchestra. In 1324, I collaborated with the Violin Soloist with Radio, and I was invited to participate in Reza Mahjoubi, Abolhassan Saba, Ebrahim Mansouri and Mehdi Khaledi's orchestras. Orchestra musicians, gentlemen Majed (tar), al-Dahiyat (multiplying), Wali Allah Alborz (Qaranei), Homayoun Khorram, World paranormal Zare and Me vylen. The readers were also the literary scholars of Khansari and Bazidzadeh, and the throne and gladiator of Qummi. The sequence of the program's execution was in this form, which was first implemented as a prelude to the vocal. The song was also split first, Mortaza Khan played the base, and then Mr. Majd performed a piece and played a part as one of four violins. We played at one of our sessions, and in the end we were given one color. Of course, when Mr. Badi Zadeh was present, small balloons were performed in a violent manner. When the studio was released, Morteza Khan transferred the piano from Iran to Iran, supposing if Abu Ata played the correct distances to the thirty Kern and Fa series, the performances would only be performed by Morteza Khan as they needed. It was then set to run on the piano again at the original intervals. At the end of 1332, when Khalidi was interrupted with delicacy, I served with Mr. Jawad Lashgari for two months, and I started the orchestra, and my first song began with Ra'y-i-Mairi's poem, "Nazanin Yar, I'm Unaware of My Work".

At the time of the establishment of the National Television Organization, with Morteza Khan Hanana, I went to the television and supervised the National Orchestra, and served for 41 years on radio. According to contracts and cultural exchanges, art was organized on two trips organized by the authorities of the countries of Turkey and Germany. We organized concerts in the academic circles and supervised several art groups. Since 1350, I have been the director of the Persian ghost dressing on radio, and I consider one of my great works of art with the flower program. One of my best to love them is "Chant" with the voice of the goddess with the poem of Bijan Targhi and Javand Maroufi's "Storm" piano with the voice of Marzieh and the poetry of Mu'eni Kermanshahi, "In a humbly" with the voice of Akbar Golpayegani, "Raining the Rain" The angel and progreganist of progress, "Whoever saw", with the voice of Yasini and the poetry of Jannati Ataee, "Fierce" with poetry by Bijan Taghi, the colorful flowers of the program 574 with the voice of Goddess, Shahidi, Fereydoun Naseri and Bijan Taghi poetry, and many unwritten music. Overture. In the year 1369, when we talked to the late Jawad Maroufi, I decided to enter the piano because, while this instrument is the mother instrument, it is possible to distribute its distances to the Corn series, which is the most distant in our music. So I tried to do this and eventually I succeeded in getting Yamaha piano representation in Iran in 1370. According to available statistics, more than a thousand Yamaha piano pieces have been sold to families. It was done with the aim of preserving and spreading music, and I hope our youth will work to advance our country's music and to succeed and maintain our national musicality.

Archery Awards List:

Best Piano Sales Award in 2016-2015
Award for the best marketing activity for musical instruments in 2012-2011 by Yamaha
Award for the best marketing activity for musical instruments in 2011-2009 by Yamaha
Award for Excellence for Music Accessories in 2009-2008 by Yamaha
The Best After-Sales Service Award in 2011 by the Audiovisual Association of Music Instruments
Best Selling Piano Award from Yamaha 2004-2003
Yamaha's Best Piano Sales Award 2014-2013
Best Selling Piano Award 2005-2007 by Yamaha
Best Selling Piano Award 2006-2008 by Yamaha
Best Selling Service for Piano in 2001-2000 by Yamaha